The Commercial

Readings

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2025
How ‘archaeological ceramicist’ Yasmin Smith has forever changed the way I look at flint
The Art Newspaper
2025
Agatha Gothe-Snape, UNDER THE SIGN OF WARNING
Agatha Gothe-Snape
Exhibition text
2025
Mitch Cairns Restless Legs review
Mitch Cairns
Art Guide
2025
Mitch Cairns: Restless Legs - Look Magazine
Mitch Cairns
Look
2024
As-if-by-chance the medium is the emergent atmosphere
The Art Gallery of Western Australia
2024
The Medium is the Medium: Agatha Gothe-Snape Material
Agatha Gothe-Snape
Art Gallery of Western Australia,
2024
Archie Moore: kith and kin, Venice Biennale roomsheet
Archie Moore
The Commercial
2024
Archie Moore Venice Review - The Guardian
Archie Moore
The Guardian
2024
Angela Brennan Quantum colour
Angela Brennan
The Commercial
2024
Amelia Wallin, THOUGHTS ON -MODERNIST- HOUSES, Narelle Jubelin: Contexto. For RDJ, RG & TH, at The Commercial, Sydney (exhibitio
Narelle Jubelin
The Commercial
2024
'Angela Brennan: Tête-à-tête & Vis-à-vis'
Angela Brennan
The Commercial
2023
Augusta Vinall Richardson — TEMPLATE/SKETCH review
Augusta Vinall Richardson
Random (re)View
2023
The Housing Question review
Narelle Jubelin
Memo Review
2023
Still Life
Amanda Williams
The Commercial
2023
Templates_AVR_Rose Nolan
Augusta Vinall Richardson
Adams Print
2023
Mitch Cairns, Self-portrait as a Lemon Tree - artist statement
Mitch Cairns
Monash University Museum of Art
2023
‘“Poetry reveals our world back to us”: Neika Lehman and Jazz Money in conversation’
Jazz Money
Art Guide Australia
2023
Archie Moore – Pillors of Democracy
Archie Moore
Cairns Art Gallery
2023
Mitch Cairns — Free TAFE & Railway Cake
Mitch Cairns
The Commercial
2023
Amanda Williams interview for The National 4
Amanda Williams
Art Guide Australia
2023
Diena Georgetti interview for The National 4
Diena Georgetti
Art Guide Australia
2023
Patrick Hartigan: A Clay Hand - exh text
Patrick Hartigan
The Commercial
2023
Stephen Ralph — Gravity, exh. text
Stephen Ralph
The Commercial
2023
Amanda Williams — The National 2023 catalogue essay
Amanda Williams
The Commercial
2023
Diena Georgetti — The National 2023 catalogue essay
Diena Georgetti
The Commercial
2022
choes and Excavations: Narelle Jubelin’s ‘Nalgures’ (Someplace)'
Narelle Jubelin
Art Monthly Australia
2022
Archie Moore interviewed by Tamsen Hopkinson
Archie Moore
Artlink
2022
Archie Moore - Gertrude Contemporary
Archie Moore
Artforum
2022
Augusta Vinall Richardson - MFA Graduate show text
Augusta Vinall Richardson
The Commercial
2022
Archie Moore Dwelling (Victorian Issue) review by Elijah Money
Archie Moore
Memo Review
2022
Archie Moore interview with Paris Lettau - Dwelling 2022
Archie Moore
Gertrude Contemporary website
2022
Untold Treasure – Dwelling (Victoria Issue)
Archie Moore
The Saturday Paper
2022
Yasmin Smith Forest exh text
Yasmin Smith
The Commercial
2022
Archie Moore - Dwelling at Gertrude 2022 -review
Archie Moore
Art Guide Australia
2022
Amanda Williams – Eucalyptusdom catalogue
Amanda Williams
Power House Museum
2022
Agatha Gothe-Snape – Preface for Eucalyptusdom catalogue
Agatha Gothe-Snape
Power House Museum
2022
Yasmin Smith interview with Sarah Rees - Eucalyptusdom 2022
Yasmin Smith
Power House Museum
2022
Embodied Knowledge: Queensland Contemporary Art — catalogue essay
Archie Moore
Queensland Art Gallery | Galley of Modern Art
2022
Jazz Money, ‘Jazz Money on the power of poetry’, The Age, 12 August 2022
Jazz Money
The Age
2022
I Don’t Really Care for the Rules of English
Jazz Money
Broadsheet
2022
Archie Moore, 'Mīal', exh. text, The Commercial, Sydney, 2022
Archie Moore
The Commercial
2022
Spectres of Globalisation - Oscar Perry - Spoorloos
Oscar Perry
The Commercial
2022
Mitch Cairns - 2022 Adelaide Biennial: Free/State
Mitch Cairns
2022 Adelaide Biennial of Australian Art: Free/State
2022
Artist Yasmin Smith - Saturday Paper profile
Yasmin Smith
The Saturday Paper
2021
Yasmin Smith - Rethinking Nature at Madre Museum, Naples
Yasmin Smith
e-flux
2021
Yasmin Smith - Asia Pacific Triennial 2021 review
Yasmin Smith
Ocula
2021
Yasmin Smith - 10th Asia Pacific Triennial of Contemporary Art
Yasmin Smith
QAGOMA
2021
Lillian O'Neil - James McArdie review of Bowness Prize 2021
Lillian O'Neil
On This Date in Photography blog
2021
Djon Mundine, Philip Gudthaykudthay exhibition text
Philip Gudthaykudthay
The Commercial
2021
Archie Moore - The Colour Line review
Archie Moore
di'van
2021
Amanda Williams on her first international exhibition - Whose Land Is It?
Amanda Williams
PHOTO 2021
2021
Yasmin Smith, Land of Fire - artist statement
Yasmin Smith
The Commercial
2021
Yasmin Smith | Exhibition Review: TarraWarra Biennale 2021: Slow Moving Waters
Yasmin Smith
ArtsHub
2021
Nigel Milsom - Shadow Boxer, review of Mailtand exhibition
Nigel Milsom
The Saturday Paper
2021
Diena Georgetti interview with Nick Miller
Diena Georgetti
The Age
2021
Life is long
Stephen Ralph
The Commercial
2021
Archie Moore UNSW 2021 exhibition review
Archie Moore
ARTFORUM
2021
The National 2021: New Australian Art
Agatha Gothe-Snape, Mitch Cairns
Artist Profile
2021
Oscar Perry_ Vault 2021
Oscar Perry
Vault
2021
Yasmin Smith | Sustaining Assembly, PAV e-flux announcement
Yasmin Smith
e-flux
2021
Narelle Jubelin interview with Alana Hunt at The National 2021
Narelle Jubelin
The Commercial
2021
Anna Kristensen - Out of Place
Anna Kristensen
Drill Hall Gallery
2021
Bonita Bub - Out of Place
Bonita Bub
Drill Hall Gallery
2021
Yasmin Smith - Tarrawarra Biennial 2021 catalogue
Yasmin Smith
Tarrawarra Museum of Art
2021
Agatha Gothe-Snape - The National 2021
Agatha Gothe-Snape
The National
2021
Mitch Cairns - The National 2021
Mitch Cairns
The National
2021
BEING AND VERBING: to accompany Oscar Perry - HIGH MIDDLE AGES
Oscar Perry
The Commercial
2021
Augusta Vinall Richardson - Madeline Simm review of Discordia show 2021
Augusta Vinall Richardson
The Commercial
2020
Agatha Gothe- Snape – Know My Name cat essay
Agatha Gothe-Snape
NGA
2020
Narelle Jubeline - Know My Name catalogue essay
Narelle Jubelin
NGA
2020
Lillian O’Neil - Soft Demand
Lillian O'Neil
The Commercial
2020
Q&A with Amanda Williams - PHOTO 2021
Amanda Williams
PHOTO 2021
2020
Patrick Hartigan - The Ground - review
Patrick Hartigan
The ReviewBoard
2020
Lion's Honey Reader
Agatha Gothe-Snape
The Commercial
2020
ACU Art Collection - First impressions
Michael Riley
Australian Catholic University
2020
Nigel Milsom - The Rubber Room
Nigel Milsom
Art & Australia
2020
Michael Snape, Mitch Cairns - Waylaid S T O O P, exh. text, The Commercial, Sydney, 2020
Mitch Cairns
The Commercial
2020
Amanda Williams - Alpine Bogs and Associated Fens review
Amanda Williams
un Projects
2020
Michael Edward Harvey Amanda Williams
Amanda Williams
The Commercial
2020
A Window is a Verb - Anna Kristensen
Anna Kristensen
The Commercial
2020
Amanda Williams - 50 Things Collectors Should Know
Amanda Williams
Art Collector
2019
AGNSW Art Sets. The art that made me: Jude Rae
Jude Rae
The Commercial
2019
Agatha Gothe-Snape on Art and Education
Agatha Gothe-Snape
Artlink
2019
Oscar Perry - AP44
Oscar Perry
Artist Profile
2019
Andrew Liversidge - PROOF OF WORK at Gertrude Glasshouse
Andrew Liversidge
The Commercial
2019
Agatha PICA 2019 room sheet
Agatha Gothe-Snape
PICA
2019
Courtney Kidd, Jude Rae: A Patient Touch, Art Collector, Issue 88, April-June, 2019
Jude Rae
Art Collector
Jazz Money, bila, a river cycle (full poem transcription), 2020
Jazz Money
The Commercial
Amanda Williams, Nichols Gorge Walk, 2021 - artist statement
Amanda Williams
The Commercial
Stephen Ralph, Assembly, 2014, exh. cat.
Stephen Ralph
The Commercial
On Photography and Consecutive Matters
Amanda Williams
The Commercial
An Elegy to Apertures
Amanda Williams
The Commercial
Memory Depictions
Archie Moore
GUAG
Gunter Christmann
Gunter Christmann
Art and Australia
The Caboose
Diena Georgetti
The Commercial
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